Gamut Inc – Music For Air

Format: 180gr LP with download postcard / download

Release date: october 16th 2026

https://karlrecords.bandcamp.com/album/music-for-air

On its latest album „Music For Air“, the Berlin-based interdisciplinary duo GAMUT INC
explores new possibilities of the computer-controlled pipe organ — from hypervirtuoso
excess to nuanced automation and rhythms beyond the fixed grid. Composed and recorded during a two-week residency in Toulouse, the pieces move between harmony and noise, conjuring a euphorically intoxicating maelstrom of overlapping, accelerating sound.

GAMUT INC’s work with the computer-controlled organ actually began in 2009 with a commission from ON – Neue Musik Köln for the Kunst-Station Sankt Peter – at a time when only few congregations were ready to open their instruments to this kind of work. When the duo of Marion Wörle and Maciej Śledziecki founded the ensemble officially in 2013 as an interdisciplinary project, they first developed their own music machines with instrument builder Gerhard Kern, returning to the organ in 2018 when more churches and venues had opened their doors … and GAMUT INC carried their practice across Europe and beyond, developing AGGREGATE (first a concert series and then an annual festival) into a platform dedicated to organ music of the 21st century.
Sharpening a critique of mechanisation, digitality, and the human in between, the project is conceived around the construction of pre-modern instruments and the control of these instruments by contemporary technologies, resulting in an aesthetic that bridges the very old and the very new. Recent works include the human-machine trilogy “Over The Edge Club” (2021), “Rossum’s Universal Robots” (2022) and “Zeroth Law” (2023, performed at Deutsche Oper Berlin with the RIAS Chamber Choir and the Logos Robot Orchestra), and “Black Square” (2025), a wind-dynamic modular organ built by Tony Decap, inaugurated at CTM Festival and broadcast on Deutschlandfunk Kultur and SWR Kultur. Their organ installation AGGREGAT#10, commissioned by Sónar Festival, was acquired for the permanent collection of Palau Güell Barcelona in 2022.
GAMUT INC’s latest album “Music For Air” was composed and recorded during a two-week
residency in Toulouse on the wind-dynamic organ „L’Explorateur“, with individually computercontrolled wind pressure per pipe. The seven pieces move between harmony and noise, conjuring a euphorically intoxicating maelstrom of overlapping, accelerating sound, exploring again new possibilities of the computer-controlled pipe organ – from hypervirtuoso excess to nuanced automation and rhythms beyond the fixed grid. Sensual and ecstatic.

Tracklist:
A1. Breath Of Seven Breasts 4:24
A2. Foghorn Harbour 7:01
A3. No Animals Were Harmed 2:19
A4. Echoes 3:31
B1. Mirroring 8:00
B2. Hoquetus 4:43
B3. Whilst Enjoying The Balance Of The Winds 7:23

Credits:
Composed, performed and recorded by gamut inc / Marion Wörle and Maciej Sledziecki
at Église du Gesù, Toulouse, May 2024
Mastering and lacquer cut by Helmut Erler @ heyrec.mastering, Berlin, May 2026
Cover design by Marion Wörle

Gamutinc.org

GIULIO ALDINUCCI – Materia

Format: 180gr LP with download postcard / download

Release date: september 18th 2026

https://karlrecords.bandcamp.com/album/materia

Italian sound artist GIULIO ALDINUCCI returns with his 5th album on KARL: „Materia” is unsurprisingly a truly masterfully composed and sound-designed ambient masterpiece that adds perfectly to a series of critically acclaimed albums like “Disappearing In A Mirror” (2018) or “Shards Of Distant Times” – some of which made it onto several year’s best lists.

With now his 5th album for KARL, the sound artist from Siena / IT has proved a steady and prolific artist on the label roster. And each time, GIULIO ALDINUCCI delivers a new ambient masterpiece that clearly carries his signature as composer / producer and yet reveals a slightly different approach to his modus operandi. ALDINUCCI’s massive layers of sound, built from field recordings and an array of electronic gear, blend droney ambient with heavenly voices / sacred music that create an atmosphere of a consolatory melancholy – alien, but with a graspable presence of human souls. And as each album before, „Materia“ too deals with a topic that ALDINUCCI came across in his observations of and reflections about today’s society.

In the words of Giulio himself:
„Materia focuses on the idea of sound as a matter, which can be shaped into complex forms by removing excess material from the sound mass. 
The album originates from the dichotomy between accumulation and subtraction, creating compositions out of frequency-dense audio material in order to unearth what is “hidden” inside the raw sound mass.
Unlike sculpture, in music time can be matter too by shattering sounds into milliseconds and recompose them with a different fragments order, going beyond the traditional notions of rhythm and duration.“ 

Credits:
All tracks composed and produced by Giulio Aldinucci giulioaldinucci.com
Mastering and vinyl cut by Helmut Erler at heyrec.mastering
Photography by Thomas Herbst
Layout and design by kaidoh

FLOCKS – Lagoon

Format: 180gr LP with download postcard / download

Release date: may 22nd 2026

https://karlrecords.bandcamp.com/album/lagoon

New album by FLOCKS, the duo of drone specialist WERNER DURAND and percussionist ULI HOHMANN. Musical landscapes that move between traditional as well as experimental sounds with influences from Krautrock and JON HASSELL’s „fourth world“ aesthetics.

WERNER DURAND has made himself a name with various projects with Dhrupad singer AMELIA CUNI, playing with URBAN SAX, ARNOLD DREYBLATT, HENNING CHRISTIANSEN, DAVID BEHRMAN, ELLEN FULLMAN, CATHERINE CHRISTER HENNIX, as the co-founder of THE 13th TRIBE, ARMCHAIR TRAVELLER and TONALIENS (with ROBIN HAYWARD and HILARY JEFFERY) plus numerous solo albums, released on labels like Black Truffle, Unseen Worlds or Edition Telemark. Having studied saxophone as well as Indian / Persian flutes, the Berlin based DURAND is a highly reputated protagonist in the drone scene, famous for his self-built wind instruments like buzz-clarinets or his PVC neys & horns. His partner in FLOCKS (and longtime personal friend) is ULI HOHMANN whose early encounters with music from Asia, India and Africa led to studies with the Ghanaian master drummer MUSTAPHA TETTEY ADDY and later Tombak and Daf with NEMAD DARMAN (Iran).

ULI HOHMANN played in a couple of projects that explored the language of classical Persian music, and started building his own stringed instruments (being an educated carpenter). In 2014 he joined DURAND and AMELIA CUNI for the album „Clearing“, and 2018 DURAND and HOHMANN decided to continue as a duo: FLOCKS was born. On “Lagoon”, the duo further explores the aesthetics it has crafted on its selftitled debut (2023, on the now defunct ZEHRA imprint): DURAND and HOHMANN shape drone-y soundscapes based on their self-built wind- & stringed instruments, Persian percussion and subtle electronics, drawing additional inspiration from Krautrock (listen to the irresistible, hypnotique, ever-changing rhythmic pattern of the title track) as well as JON HASSELL’s „fourth world“ aesthetics, placing the duo nicely between tradition and experiment!

The press about the debut “Flocks”:
“The music of Flocks sounds like archaic but highly seductive techno music resurrected from an unknown tribe in the jungle of nowhere but still radiates a strong psychedelic impact.” Eyal Hareuveni / Salty-peanuts.eu

“Magnificent music, ethereal in the best sense of the word, yet very concrete!”
Karsten Zimalla / Westzeit, 5 / 5

Tracklist:
A1. Whirls 10:06
A2. Tidal 10:53
B. Lagoon 20:09

Credits:
Werner Durand: tenor-sax, sinewave drones & fx, invented winds: extended shakuhachi, pan-ney, circular water ney, frog horn, pvc-neys -clarinets & -horns
Uli Hohmann: daf, kanjira, riq, ghatam, tibetan bells, venetian shells, invented strings, bamboo tube zither, electronics
Recorded between 2023-25 at Abendland.studio, Lengenfeld and Haveli studio, Berlin.
Mixed by Werner Durand & Uli Hohmann.
Mastering & lacquer cut by Helmut Erler, mastering.heyrec.org, Berlin, january 2026
Painting by Janos Fischer
Layout & design by kaidoh

SABA ALIZADEH – Rituals Of The Last Dawn

Format: 180gr LP with download code / download

Release date: march 20th 2025

https://karlrecords.bandcamp.com/album/rituals-of-the-last-dawn

New album by SABA ALIZADEH, a groundbreaking voice in contemporary Iranian music who blends classical Persian traditions with avantgarde experimentation.

Born in Tehran in 1983 as son of the world renowned tar and setar virtuoso HOSSEIN ALIZADEH, SABA ALIZADEH established himself not only as a true master on the Iranian spike fiddle kamancheh but one of the groundbreaking voices in contemporary Iranian music, blending classical Persian traditions with avantgarde experimentation. His music, praised by THE WIRE as “a bridge between the ancient and the contemporary”, turns sound and image into powerful narratives of memory and resistance. Over the past years, ALIZADEH (who relocated to the Netherlands a few years ago) has appeared at key festivals and venues such as Reeperbahn Festival, CTM, Flow Festival, Philharmonie Berlin, Kölner Philharmonie, solidifying his reputation as a singular live performer.
After the critically acclaimed releases “Scattered Memories” (his international debut, released on Karlrecords in 2019), “I May Never See You Again” (2021) and last year’s “Temple of Hope”, his new album fascinates again with a unique artistic voice, weaving together centuries-old sonic heritage and the urgency of the present through deeply immersive, meditative landscapes in two epic pieces. “Rituals Of The Last Dawn” may feel like a sad or resigned title (compared to the positively fierce “Temple Of Hope”), but at the same time the highly meditative music provides a good lot of contemplative strength. Appealing to an open-minded “world music” audience as well as fans of current streams of ambient or drone in its most subtle forms, ALIZADEH’s latest work is a strongly needed soul food in bitter times. Created on the spot with his musical partners PIETRO CARAMELLI (guitar and electronics on “First Ritual”) and LIEW NIYOMKARN (lap steel and electronics on “Last Ritual”), “Rituals Of The Last Dawn” is a pure, unfiltered emotional expression from one of contemporary Iranian music’s leading artists.

Tracklist:
A. First Ritual 23:04
B. Last Ritual 17:13

Credits:
Mixed at NoiseWorks Studio, September 2025
Mastering & cut by Helmut Erler, mastering.heyrec.org
Layout & design by kaidoh
Calligraphy by Mohammad Enshai

First Ritual:
Kamancheh: Saba Alizadeh
Guitar, electronics: Pietro Caramelli
Recorded at NoiseWorks, July 2025, Leiden

Last Ritual:
Kamancheh: Saba Alizadeh
Lap steel guitar, electronics: Liew Niyomkarn
Recorded at Liew’s studio, July 2025, Brussels

SIMON BERZ – Tectonic

Format: 180gr LP, clear vinyl, 200 handnumbered items with download postcard / download

Release date: march 27th 2026

https://karlrecords.bandcamp.com/album/tectonic

“Tectonic” is a concise portrait of SIMON BERZ’s geological sound explorations across continents over the last 15 years: drums, electronics, and a set of electronically manipulated basalt stones from Iceland.

SIMON BERZ is a transdisciplinary drummer, sound artist, and music educator based in Switzerland and Berlin. Working at the intersection of improvised music, sound art, and performance, and deliberately crossing boundaries between disciplines, his aesthetics are shaped by a sustained engagement with natural materials, particularly stone, and their sonic transformation through electronic manipulation. Beyond his performance work, BERZ founded BADABUM as an art label and a music school.
For the last 30 years, BERZ has been performing in Japan, China, Russia, the USA, Cuba, Iceland, Turkey, and across Europe. He has collaborated with artists includingBILL LASWELL, BABY SOMMER,DAMO SUZUKI (CAN), JAMES TURRELL, JIMI TENOR, JOHN SINGLAIR, JOJO MAYER (NERVE), KONDO TOSHINORI, KIDD JORDAN, LAUREN NEWTON, LEE “SCRATCH“ PERRY, MAURO PAWLOWSKI (dEUS), NILS PETTER MOLVÆR, NIKI GLASPIE, NORBERT MÖSLANG, PAUL LOWENS, PFADFINDEREI, ROB MAZUREK, SKÚLI SVERRISSON, and he was the live drummer for APPARAT. As BERZ understands artistic practice as energy emerging from nature and through dialogue with people, his recorded output is intentionally selective, with one highlight being “Beats versus Breath” with KONDO and LASWELL (2023). Alongside a regular drumkit and electronics, he has developed his own instruments such as the “Lithophon” in which resonating stones are turned into amplified sound through water drops, and “Tectonic”, a set of Icelandic basalt stones shaped through electronic manipulation. These self-built instruments form the material basis for his performances, installations, and sound recordings.
“Tectonic” is also the title of BERZ’s latest work: a summary of his geological sound explorations across continents. From Iceland to Indonesia and Bali, from New Orleans to China, in caves and at shores, BERZ carried his millions-of-years-old basalt stones as both instrument and collaborator. On Java, he met Baron, a builder of stone gamelan instruments. At the Pacitan Tabuhan Cave (Indonesia) he performed with MISBACH BILOK and WUKIR SURYADI (SENYAWA) who work with corals as instruments. BERZ brought these encounters and “field recordings” to the Stöðvarfjörður studio in Iceland, where he recorded with his “Tectonic” set-up, drums, and electronics. The music was later mixed in Berlin by DIRK DRESSELHAUS (SCHNEIDER TM).
The resulting album moves from club-driven tracks to ambient passages, from gamelan-inspired textures to HipHop-like beat patterns. It resists easy categorization while staying direct and physical in its impact.

Tracklist:
A1. Deep Time
A2. Cementation
A3. Lithification
A4. Awan Panas
A5. Hiatus
B1. Oshima ∞
B2. Emergent Terrain
B3. Diferensiasi Gravitasi
B4. Turbidite

Credits:
Simon Berz: Drums, 5 Icelandic Basalt stones, ROCKING DESK:D.I.Y Instruments & Electronics, Field recordings
All tracks composed & performed by Simon Berz
Recorded by Vinnie Wood at Silo Recording Studios Stöðvarfjörður / Iceland, May 2025
Tracks B1, B4: Phyllit slide stones, electronicsrecorded on Izu Oshima / Japan
Tracks A1, B2: D.I.Y Instruments, corals recorded at the Pacitan Tabuhan Cave / Java with guest performers Misbach Bilok, Wukir Suryadi
Field recordings from Izu Oshima / Japan, Pacitan / Indonesia, Kjalvegur / Iceland,
Arnarstapi / Iceland
Mixed by Dirk Dresselhaus at ZONE, Berlin, Oct. – Nov. 2025
Mastering & lacquer cut by Helmut Erler, mastering.heyrec.org, Berlin, Nov. 2025
All photography by Andi Hofmann
Layout & design by kaidoh

V.A. – eavesdrop festival 2024

Format: tape with download postcard / download

Release date: february 27th 2026

https://karlrecords.bandcamp.com/album/eavesdrop-festival-2024

Benefit compilation with exclusive tracks from live performances & installations at eavesdrop festival 2024. All revenues go to charities providing medical aid and food sovereignty in Gaza.

In november 2024, eavesdrop festival presented its 3rd edition of contemporary electronic music and sound art, taking place in the striking architectural setting of silent green’s Betonhalle in Berlin. ”to eavesdrop” – is invoked as a mode of listening intently, attentively and with curiosity. With its ongoing commitment to adventurous listening cultures, the festival brought together a top-notch line-up of Berlin based and international artists, who share a common practice in electronic sound composition whilst spanning a diversity of inter-related contemporary tendencies. Whether it’s multi-award winning Mariam Razaei’s exceptional turntablism, Ilpo Väisänen’s legendary DIY analogue electronics, Jasmine Guffond’s generative sound installation, Nina Garcia’s extraordinary electric guitar manipulations, Lottie Sebes’ AI voice synthesis or Rashad Becker’s idiosyncratic synthesizer explorations, to name a few, eavesdrop invited listeners to consider, from multiple perspectives, new social and technical developments in international music and sound cultures.
This compilation documents those 2 nights with 9 exclusive tracks – 7 live performances and 2 stereo mixes from multi-channel installations, edited by the festival’s curator / organizer Jasmine Guffond, with a total running time of approx. 78 minutes. All revenues will go to charities providing medical aid and food sovereignty in Gaza: Medical Aid For Palestinians & Thamra.

Tracklist:
A1. Rashad Becker – Live excerpt fromeavesdropfestival, 2024 (7:38)
A2. Mariam Rezaei – Live excerpt from eavesdrop festival, 2024 (9:36)
A3. Audrey Chen & Hugo Esquinca – Live excerpt fromeavesdropfestival, 2024 (6:10)
A4. Nima Aghiani – Live excerpt fromeavesdropfestival, 2024 (5:43)
A5. Lottie Sebes – Mouthpiece (9:18)
B1. Nina Garcia – Live excerpt from eavesdrop festival, 2024 (8:20)
B2. Jasmine Guffond – Approaching Chaos (4:56)
B3. Ilpo Väisänen – Live excerpt fromeavesdropfestival, 2024 (15:04)
B4. Mat Pogo – Special Occasion (10:06)

Credits:
All tracks recorded live at Silent Green, Berlin on november 6th & 7th 2024 as part of eavesdrop festival, 3rd edition except Mouthpiece & Approaching Chaos which are are stereo versions of multichannel installations, exhibited during the festival.
Mastering by Rashad Becker at clunk, Berlin, november 2025
Artwork by Martin Müller / dicey-studios.com
Tape layout by kaidoh

All revenues from this benefit compilation go to:

Medical Aid For Palestinians www.map.org.uk

Thamra www.thamra.org

PERIODE – Grapes Of Nothingness

Format: 180gr LP, clear vinyl, 200 handnumbered items with download postcard / download

Release date: january 30th 2026

https://karlrecords.bandcamp.com/album/grapes-of-nothingness

A new album by PERIODE, the duo of ANDREAS REIHSE (KREIDLER) and THOMAS WINKLER: yearning and thrilling, kraut-esque electronica that suggests the motion of travel.

Working together as PERIODE since 2016, the duo of THOMAS WINKLER and KREIDLER founding member ANDREAS REIHSE has been refining its delicate sound over the course of 5 releases. The ingredients are as simple as effective: an old 70+ Telecaster guitar with a few weirdo-effect pedals, a drum machine, an audio interface that is connected to an overloaded laptop. WINKLER’s guitar patterns have a fragmented, almost haphazard connotation, searching in a shimmer of reverb, until REIHSE’s beats, the framework, set in to reveal structure. On the new album, WINKLER further expands these patterns by subtly honing the distinctive picking technique he originally learned in 1986 from a homeless man under the piers of Brighton — a ghostly imprint that now resurfaces with refined precision. REIHSE´s programmed rhythms go just to the point of a groove, holding the moment of tension, knowingly delaying the gratification. Beats that have a scratchy patina and an subtly playful edge; their crispness stands in clear contrast to the contemplative drift of the guitar.
Their latest effort, “Grapes Of Nothingness” (actually the first that carries an album title!), is the most assured release by PERIODE so far. The nine tracks feel like a series of studies / variations on a mood: a profound melancholy, a certain bleakness — but never desperate. First impressions may suggest that this is nocturnal music, yet it can equally evoke the harsh sunlight and baking heat of a summer day. Or a rainy day. And the motion of travel with Superdelay – even if maybe only in the mind … however, it remains unclear whether the listener is moving through the world or whether the world is passing by the listener.
There are some apparent references here: a good portion of Les Disques du Crépuscule, some kraut-esque electronica, even a smidgen of MORRICONE / Spaghetti Western, all blending into a kind of Musique Noir — yet these serve only as a set of orientational coordinates, rather than aesthetic quotations. Is it a trance? Or a dance? Yes.

Andreas Reihse
is a Berlin based musician, mostly known as founding member of Kreidler. He also composes music for theater and film, occasionally writes, draws, and makes movies.

Thomas Winkler
is a Berlin based musician, painter, photographer and performance artist. He cofounded the publishing house Heckler und Koch and the gallery European Fine Art.

Tracklist:
A1. Das Siebte Pferd
A2. Hohenschönhausen
A3. Trains
A4. Ravetruck
A5. Grapes of Nothingness
B1. Flipping the Buns
B2. Holz
B3. Club Chair
B4. Periode No 6

Credits:
Written, performed, recorded, mixed, produced by Periode 2024–26
Thomas Winkler, Andreas Reihse
Feuer und Flamme für Berlin Studio, Paulick Saal, Barb32
Grapes of Nothingness tweaked by Alex Paulick at Spatialtone
Mastering and Cut by Helmut Erler at Hey Rec
Cover painting by Thomas Winkler
periode.net/

Periode are Thomas Winkler and Andreas Reihse. Reihse is a Berlin based musician, known as founding member of Kreidler. Winkler is a Berlin based artist and musician. 

Andreas Reihse overtures and underlays Thomas Winkler’s hypnotic guitar pickings with the digital grid of infinity that Winkler repeatedly tries to touch and to break through. There is hardly any singing.  

Periode’s sixth release „Grapes of Nothingness“ is due in January 2026 on Karlrecords, here the advance track „Flipping The Buns“. Video created by Ronald Dick:

MICHAEL VORFELD – Glühlampenmusik

Format: tape with download postcard / download

Release date: august 22nd 2025

https://karlrecords.bandcamp.com/album/gl-hlampenmusik

Berlin-based musician and media artist Michael Vorfeld celebrates the 20th anniversary of his unique sonic explorations with a new volume of his Glühlampenmusic (Light Bulb Music). Mastered by Rashad Becker.

Michael Vorfeld is a musician and media artist, plays percussion and self-designed string instruments, and realizes electroacoustic sound pieces. He works in the field of experimental, improvised music and sound art, realizing installations and performances with light and sound, and working with photography and film. In addition to his solo activities, he is a member of various ensembles and collaborates with artists who work in many different art forms, e.g. Burkhard Beins, Mazen Kerbaj, Ute Wassermann, Reinhold Friedl, to name a few. Based in Berlin, his list of activities includes numerous concerts, performances and exhibitions in Europe, America, Asia and Australia. Michael Vorfeld participated in the documenta 8, Kassel with the sound performance group “Heinrich Mucken“.
Since the mid-1980s, Vorfeld has been realizing a multiplicity of partly site-specific light works (most of which also included sound) and where the incandescent lamp played an essential role. He conducted many tests to research the interplay of light and sound, experimented with all kinds of incandescent lamps in relation to various light-controlling devices and used many different types of microphones and pickups to “eavesdrop” into the acoustic potential of the various light events. The result of this research is Glühlampenmusik (Light Bulb Music), an electro-acoustic and audio-visual performance where sounds are generated through the use of different light bulbs and actuating electric devices. The incorporation of different analog light controllers such as switches, dimmers, relays, flashers and various others leads to diverse variations within the light event, made audible with the help of various microphones and pickups. The changes in the light intensity, the incandescence of the filaments and the rhythmic variety of the flickering and pulsing lights is directly transformed into a comprehensive and microcosmic electro-acoustic world of sound. First performed publicly under the title Glühlampenmusik in the Labor Sonor series at Kule, Berlin in January 2005, and released in 2010, this new volume of Glühlampenmusik celebrates its 20th anniversary of these sonic adventures that can range from sparse abstractionism to almost “clubby” pulsations.

Tracklist:
01: Lichte Wendel 3:29
02: Leuchtcode 4:56
03: Leiterfunken 3:22
04: Phasenpuls 5:20
05: Lumenfluss 5:18
06: Entladung 5:50
07: Spannungswandler 3:51
08: Lampentanz 3:30
09: Feldstärke 3:25
10: Strömung 5:07

Credits:
All music composed, performed and recorded by Michael Vorfeld, Berlin, 2024
Mastered by Rashad Becker at clunk, 2024
Layout & design by kaidoh
Images by Cenzo Productions

In order to clean up stocks , there’s a summer sale running till late august (if stocks last that long) …

Part 1: the CD offer!

the CD package (€25.-) contains
# KAMMERFLIMMER KOLLEKTIEF – Schemen
# REINHOLD FRIEDL / MARTIN SIEWERT – Lichtung
# SCHNEIDER TM – Ereignishorizont
# PHILL NIBLOCK / ANNA CLEMENTI / THOMAS STERN – Zound Delta 2
# WOLFGANG SEIDEL – Friendly Electrons

Part 2: the vinyl offer !

Choose 5 LPs from this list for € 40.- plus shipping:
# PHILL NIBLOCK / ANNA CLEMENTI / THOMAS STERN – Zound Delta 2
# MESIAS MAIGUASHCA – Oeldorf 8
# zeitkratzer – James Tenney
# SUMMER OF SEVENTEEN – same
# PITA / FRIEDL – same
# ALE HOP – Why Is It They Say A City Like Any City?
# MUHAL RICHARD ABRAMS – Celestial Birds
# AIDAN BAKER & GARETH DAVIES – Invisible Cities II
# hÄK / DANZEISEN – same
# zeitkratzer – R. Friedl: Scarlatti
# FINGER / PLOTKIN / ZABELKA – Pleasure-Voltage
# BERANGERE MAXIMIN – Land Of Waves
# V.A. / ERNSTALBRECHT STIEBLER – Reworks
# MIMICOF – Distant Symphony

Pls note:

1. Don’t forget to add your list of choice to your order!
2. bandcamp will not countdown the stocks as usually, so it might happen that chosen LPs are actually out of stock by the time of your order.

All in the merch section on bandcamp